Rescore composed by Juan Andrés Vergara
Director: Jovan James
Original score: Bryson Barnes
Olimpia (2018). Raquel, Rodolfo and Hernán are members of a brigade at the UNAM during the student movement in Mexico in 1968. Through their photographs, films and writings, we will know a more personal and human side of these students who joined, shouted and never forgot . This story has as a narrative axis of the day when the army took their university and their lives were never the same.
El Movimiento: performed by Orchestra Mexico
Uriel Esquenazi - Mixing
Juan Andrés Vergara - Compostition and orchestration
Olimpia
Dir. José Manuel Cravioto
Original Score by Andrés Sánchez and Francisco Cravioto
Additional music by Juan Andrés Vergara
Composed by Diego Benlliure and Juan Andrés Vergara
Diego Benlliure: Bass
Juan Andrés Vergara: Guitar and Rhodes
Mi hermano
Alexey was born in Russia, where he was adopted by Gabriela, a single mother. After a while, they adopted another child. Marked by abandonment from the beginning, mother and children fight each day to reconstruct reciprocal bonds of confidence. In spite of the internal crisis of the siblings, their shared orphanity is also the key to their strenght and their fraternal support is their way to sail through the world.
Dir. Alana Simões
Original Score by Diego Benlliure and Juan Andrés Vergara
https://www.feltlovefilm.com/
Felt Love is a 2D and stop motion animated short film about a young boy who learns to understand the depth of his mother's love and hard work despite the distance her dedication may create.
Composed by Juan Andrés Vergara and Carlos Vértiz.
La Torre
In 2004, a bomb exploded in the public library of Medellín in Colombia. Only one photo exists of the attack, which was never solved. You can see library staff clearing the rubble. This photo inspired Sebastian Múnera to make his first film, The Tower, a title that refers to the Tower of Babel.
This experimental black-and-white film, with an occasional colour insert, is set in and around the move from the old library to a new one under construction. Three characters are followed: photo restorer Jorge, who tries to develop a long-hidden photo; librarian Gloria, Neyder, a young construction worker.
The occasionally mysterious form of The Tower leaves a lot open for interpretation. While the calmly moving camera glides lovingly through the building, time and light pass. The result is a brave and poetic attempt to keep history alive.
Director: Sebastián Munera
Original score by Héctor Ruiz, Juan Andrés Vergara and Carlos Vértiz.
Composed by Juan Andrés Vergara
performed by Fausto Palma
Alamar
Jorge has only a few weeks before his five-year-old son, Natan, leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to thte pristine Chinchrro reef and eases him into the rhythms of a fisherman´s life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea.
Dir. Pedro González Rubio
Original Score by Diego Benlliure, Uriel Esquenazi and Juan Andrés Vergara
Composed by Diego Benlliure and Juan Andrés Vergara
Dir. Jordi Mariscal
Original Score by Héctor Ruiz
Additional music by Diego Benlliure and Juan Andrés Vergara
Olimpia (2018). Raquel, Rodolfo and Hernán are members of a brigade at the UNAM during the student movement in Mexico in 1968. Through their photographs, films and writings, we will know a more personal and human side of these students who joined, shouted and never forgot . This story has as a narrative axis of the day when the army took their university and their lives were never the same.
Falso Fusilamiento performed by Orchestra Mexico
Uriel Esquenazi - Mixing
Andrés Sánchez - Composition and arrangement
Juan Andrés Vergara - Compostition and orchestration
Olimpia
Dir. José Manuel Cravioto
Original Score by Andrés Sánchez and Francisco Cravioto
Additional music by Juan Andrés Vergara
Composed by Juan Andrés Vergara
Tictactópolis
Once upon a time there was a city with a heart that gave the time. A city where the tum tums were actually the tic tacs of a digital clock. A city named Tictactopolis whose citizens lived by the frenetic rhythm of each seconds hundredths.
Director: José Sierra